• Daniel Fuller | Liquid Horizon

    Venus Over Los Angeles celebrates Daniel Fuller

    Tuesday August 11, 5 – 8pm


  • Peter Saul | New York Reviews

    ArtForum, Summer 2015

    The wonderful exhibition “Peter Saul: From Pop to Punk”—challenging, engrossing, troubling—which consisted of sixteen ambitious paintings and five equally ambitious drawings from the 1960s  (more…)

  • Adam Lindemann on Venus Over Los Angeles

    Flash Art

    Venus Over Manhattan was founded in New York in 2012 and is now expanding to Los Angeles. Adam Lindemann provides an update on the venture.


  • Art in Review | ‘Peter Saul: From Pop to Punk,’ a Firebrand Willing to Offend

    The New York Times

    The New York art dealer Ileana Sonnabend once avowed — somewhat self-servingly — that the best collectors are people in her line of work.


  • Los Angeles Adds to Growing Art Scene

    The New York Times 

    The art collector Adam Lindemann knew that opening a gallery in the Los Angeles area could be risky. He had seen others try and fail, namely the Pace Wildenstein Gallery, which closed its Beverly Hills location in 1999, and L&M Arts, which shuttered its Venice outpost in 2013.


  • Adam Lindemann’s Venus Over Manhattan To Open in Los Angeles

    artnet News 

    The New York Times reports that Venus Over Manhattan, the popular Upper East Side gallery run by Adam Lindemann, is opening a Los Angeles branch.


  • Charles March | Wood Land

    Venus Over Manhattan celebrates Charles March

    Wednesday January 21, 6 – 8 pm


  • Art in Review | Fire!

    The New York Times

    “Fire!” is an ebullient if overly familiar survey of sculptures and vessels in glazed ceramics and sometimes glass that has been organized by Michaela de Pury and her husband, Simon de Pury, the former chairman and chief auctioneer of Phillips de Pury & Company.


  • Critics’ Picks | Raymond Pettibon

    ArtForum, May 2014

    Raymond Pettibon’s oeuvre of drawings presents its ambivalent attitude to avant-garde resistance by illustrating acts of sexual or violent depravity via mainstream American iconography, produced at an industrial scale and rate of production. The artist’s surfer paintings, with their lurid, ebullient wave renderings and transcendental textual citations, mark a surprising anomaly, spanning nearly thirty decades of work.