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Maurizio Cattelan, Hollywood, 2001. Cibachrome print face-mounted to Plexiglas; 70 3/4 x 157 3/16 x 6 in (179.7 x 399.3 x 15.2 cm) Edition 6 of 10 + 2 AP
Roger Brown, Landscape in Celebration of Sex, c. 1972. Oil on canvas; 9 x 12 1/4 in (22.9 x 31.1 cm)
Andrew LaMar Hopkins, Neptune's Bathroom, 2019. Acrylic on canvas board; 12 x 12 in (30.5 x 30.5 cm)
Bjarne Melgaard, Untitled (Frog) P055, 2011. Oil on canvas; 94 x 118 in (238.8 x 299.7 cm)
Ken Price, Zotom, 2007. Fired and painted clay; 14 x 14 x 14 1/2 in (36 x 36 x 37 cm)
David Salle, Fall, 2003. Oil on three joined canvases; 84 x 84 in (213.4 x 213.4 cm)
Andra Ursuta, Lucky Outbreak, Resurrected Little Bimbo, Animist, Orphan Gymnast Vampire, Cold Mountain, Temper Tantra, Libidinal Test Drive, Bleached Blonde, Tropical Cancer, Every Woman is in Love with a Nazi, Runny Gag, 2012. Eleven parts: cast urethane and pigment; Each stool: 33 x 16 x 16 in (83.8 x 40.6 x 40.6 cm) Overall: dimensions variable
Franz West, Ihr Geist aus der Flasche (fruher: Namensbild Bigi), c. early 1980s. Papier-mâché, metal, paint, wine bottle on pedestal; 45 3/8 x 33 7/8 x 8 3/4 in (115 x 86 x 22 cm)
 Joseph Elmer Yoakum, King Leopold Range, Argyle Downs, Australia, c. 1969. Watercolor, pencil, color pencil on paper; 11 7/8 x 17 3/4 in (30.2 x 45.1 cm)
Peter Saul, Untitled (Dear Dali), 2003. Synthetic polymer paint, ink, and colored pencil on board; 40 x 30 1/8 in (101.6 x 76.5 cm)

Press Release

OVR: Miami Beach
December 2-7, 2020

Venus Over Manhattan
120 East 65th Street
New York, NY 10065

For the inaugural edition of the OVR: Miami Beach, Venus Over Manhattan features a presentation of the gallery’s core program, comprising important works by represented artists and estates, including Roger Brown, Andrew LaMar Hopkins, Peter Saul, and Joseph Elmer Yoakum, alongside major works by artists included in previous gallery exhibitions. The collection features key works by Maurizio Cattelan, Bjarne Melgaard, Ken Price, David Salle, Andra Ursuta, and Franz West. Highlighting recent institutional support for these artists, including exhibitions and acquisitions at the New Museum, the Art Institute of Chicago, the Museum of Modern Art, and The Menil, the installation features signature work by each of the gallery’s artist. Offering major, rarely exhibited examples, the presentation demonstrates the gallery’s commitment to artists overlooked by traditional art historical canons.

For further information about the exhibition and availability, please contact the gallery at

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