Anastasia Bay, "Woman on Bed Rest", 2022. Pastel and acrylic on canvas; 78 3/4 x 63 in (200 x 160 cm)
Anastasia Bay, "The Stumbler's Parade (Head III)", 2022. Pastel and acrylic on canvas; 31 1/2 x 27 1/2 in (80 x 70 cm)
Anastasia Bay, "The Stumbler's Parade (Head V)", 2022. Pastel and acrylic on canvas; 31 1/2 x 39 1/4 in (80 x 100 cm)
Anastasia Baym, "The Stumbler's Parade II", 2022. Pastel and acrylic on canvas; 78 3/4 x 63 in (200 x 160 cm)
Anastasia Bay,"The Stumbler's Parade IV", 2022. Pastel and acrylic on canvas; 78 3/4 x 63 in (200 x 160 cm).
Anastasia Bay, "The Stumbler's Parade VI", 2022. Pastel and acrylic on canvas; 78 3/4 x 63 in (200 x 160 cm)
Anastasia Bay, "The Stumbler's Parade V", 2022. Pastel and acrylic on canvas; 78 3/4 x 86 1/2 in (200 x 220 cm)
Anastasia Bay, "The Stumbler's Parade (Head I)", 2022. Pastel and acrylic on canvas; 31 1/2 x 27 1/2 in (80 x 70 cm)
Anastasia Bay (b. 1988, Paris, France) creates paintings that draw upon mythological and art historical sources, blending ancient figurative traditions with contemporary culture. Her works articulate a universally resonant visual language that is striking and cross-culturally rich. Through her unique perspective, Bay transforms this shared visual history into an artistic idiom that feels both immediate and timeless, often set against opaque, minimalistic backgrounds.
Maestra Lacrymae, her most ambitious exhibition project to date, was conceived as an opera—complete with music, costumes, and a libretto—that combined various artistic modes to present a unified vision. Central to the project were five key characters: Golem, Artemis, Dibutades, Penelope, and the Harlequin, archetypal characters to whom she returns frequently in her painting and sculpture.
A graduate of the École Nationale Supérieure des Beaux-Arts in Paris (2012), Bay’s recent exhibitions include The Stumbler's Parade, Venus Over Manhattan, New York; Maestra Lacrymae, Sorry We're Closed, Brussels; The Awakening of the Cariatids, Galerie Derouillon, Paris; Allez Allez, Centre Wallonie Bruxelles, Paris; LEAF, Fondation Boghossian, Villa Empain, Brussels; One Hundred Ghost Stories, Sorry We’re Closed, Brussels; and Zillions Forefathers, The White House Gallery, Lovenjoel. Bay’s work can be found in the permanent collection of numerous public institutions, including the Musée d'Art Moderne de la Ville de Paris; Fondation Lafayette Anticipations / Guillaume Houzé, Paris; ICA Miami; X Museum, Beijing; and Zuzeum Museum (Riga, Latvia).
Celebrating its 22nd year, Art Basel Miami Beach 2024 dazzles with standout works, including Anastasia Bay's Maestra Lacrymae Acte V, among 10 unforgettable highlights.
Early action at the fair's opening day suggests the art market, after a readjustment, may soon be back in full swing.
Art Basel Miami Beach celebrates the fifth anniversary of "Meridians," featuring large-scale works, including Anastasia Bay's exclusive multi-dimensional installation Maestra Lacrymae Acte V, curated by Yasmil Raymond.
This year, Art Basel Miami Beach will celebrate five years of Meridians, the show’s sector dedicated to large-scale works that might not otherwise have a place at the fair or in gallery settings.
The Brussels-born artist joins Document to elaborate on the making of her series's 12 paintings, and the driving influences and artistic philosophies behind them